SITO ARCHEOLOGICOARCHAEOLOGICAL SITE 

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EXHIBITIONS and MUSEUMS

Melatonin Carillon
White Sheep
Il gioco è bello quando ruba poco
UrbanBeachScape
Beyond Babel
ABC manifesto corp
The banality of occupation
Wastingtime machine



TEACHING and WORKSHOPS

Micro Paisajes
Praise the pidgeon
Wedding Cenci
Festival della rotella
S'abba tenet memoria UW3
DIFFUSE UW2
Salviati University UW1
Survivor@Sanayi



PUBLIC SPACE INTERVENTIONS

Confluvium
Aqui estan lesquesuben
Via il Colosseo dai leoni
Sisifo Felice
Parangolé
CFNR Power Ranger
ABC Real Estate
Luxurious sniffing
IMÇ eternal pride



EVENTS

SoffiateMuseali
Notturno Corviale
Manipolazione onirica Carrefour
Neanderthal Modern
Lobster Symposium
Esteti spa
Parole pelate I
Lago Argentina



RESEARCH and WRITING

Società Essoterica di Illusionismo Critico
24/7 Melatonin LAB
Delitto e Decoro
Texts and publications



MISCELLANEOUS

Sushi bar
Trashur
Roma lab
Scenografia gonfiabile
1Km.0 Rigenerare Corviale
ABC manifesto corp
Natalia Agati, Emanuele Caporrella, Elfo, Matteo Locci, Marta Montevecchi, Francesco Restuccia, Maria Rocco, Panagiotis Samsarelos, Merve Yucel

by DISTURBATI
Interactive installation
2nd Istanbul Design Biennial.IKSV Istanbul, 2014
Curator Zoë Ryan
​Thanks to Merve Yucel,  Deniz Ova, IKSV team



Eng

A spacious area is arranged to resemble an office dedicated to ABC Manifesto Writers & Consultants. The exhibition features a performance that satirizes the characteristics of traditional manifestos, such as arrogance, loudness, and perversity. Attendees are invited to partake in a step-by-step process guiding them in crafting their own manifestos. The experience concludes with participants reading, recording, and symbolically tearing up their newly created, largely nonsensical manifestos.

Lo spazio è allestito come un ufficio per la finta corporation ABC Manifesto Writers & Consultants, con una performance che ironizza sugli elementi caratteristici del manifesto tradizionale: arroganza, enfasi, perversità. Si offre assistenza a chiunque desideri scrivere il proprio manifesto, attraverso un processo passo-passo che si conclude con i partecipanti che leggono, registrano e poi stracciano i loro nuovi, per lo più privi di significato, manifesti.

Are manifestoes still valuable devices for avanguardist wannabe?

“To put out a manifesto you must want: ABC to fulminate against 1, 2, 3”. In 1918 Tristan Zara started its famous Dada Manifesto explaining how irrelevant manifesto were by describing the writing of them as a simple series of rules to be followed.  After almost 90 years the irrelevancy of manifestoes is testified by the fact that they became simple communication devices that do not imply the need for self-transformation nor social change. 

They are nothing more than a weakened literary genre with rules and codes without any spirit. 

Are Mocking prospectives capable of generating reactions?

Can cynical faulty visions boost creativity not as it is ought to be?

Clients are invited to follow a defined path, that passing through different departments culminates in the production of their own manifestoes by the apparatus. This path will enable them to free themselves from a passive visitor behavior and will eventually transform them into energized individuals capable of performing in front of a camera.

By entering the corporation office, clients delegate the apparatus to think for them: they are free from thinking, but not free from the apparatus.

Ita